JanoB

Jano B (2025) is one of MET Devoti’s most recent works, a sculpture in which the artist crystallizes the essence of his creative research—distinctive and unmistakable within the contemporary art landscape.

Defined by Devoti as “a creative performance, a sculpture, a sound, a shape within a shape,” the piece becomes a manifesto of artistic transformation: a moment where thought dominates form, where the inner pulse of creation materializes into a tangible, resonant presence.

In Jano B, inner energy unfolds as both sculpture and soundtrack of its own becoming. No longer confined to the solitude of the atelier, the work emerges before its audience as a living organism, vibrating with the memory of its formation. Its surfaces carry the echo of gestures, ruptures, and reconstructions—an anatomy of creativity laid bare.

The emotional dialogue it establishes resembles the raw intensity of a rock concert. Here, the viewer is no longer a passive spectator but an active participant, drawn into a reciprocal exchange of energy, tension, and emotion. Through this dynamic interaction, the sculpture becomes a catalyst—an amplifier of presence—where creation is not observed but experienced.

Jano B destroys itself to be reborn, embodying the cycle of death and regeneration that lies at the core of MET Devoti’s artistic vision. It is a work that celebrates metamorphosis: a shape emerging from the ruins of its previous form, a declaration that creativity is an unending process of breaking, rebuilding, and illuminating.

In its powerful duality—form and sound, destruction and rebirth—Jano B stands as a luminous testament to Devoti’s poetic universe, where art is not an object but an ever-evolving force.

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