J(o.b.s)

“To Be crazy

to chase a dream

to look far away

colored dreams

Infinite visions

one world in black and white

Think for a moment it’s mind game ? “

The soundtrack Hi-J(o.b.s) (2025) by MET Devoti serves as the sonic conclusion to the Hi trilogy, translating the conceptual essence of the personal computer into an immersive auditory experience. What was once an everyday object—now omnipresent in our digital era—becomes the pulsating core of a soundscape that blends electronic textures with human breath, memory, and tension.

The title, an implicit homage to Steve Jobs, resonates not only as a technological reference but as a symbolic echo of innovation, disruption, and the blurred frontier between human intuition and machine logic. Crafted in a historical moment charged with collective enthusiasm for artificial intelligence, the soundtrack evokes a future where virtual perception becomes indistinguishable from lived reality.

In Hi-J(o.b.s), sound becomes the voice of a computer that is no longer a passive tool, but an entity capable of influencing thought and emotional states. Mechanical pulses, distorted harmonics, and synthetic whispers intertwine with organic tones, creating an atmosphere of seductive disorientation. The listener is drawn into a hypnotic dialogue where it becomes increasingly unclear whether the sensations arise from inner cognition or from an emerging digital consciousness.

The composition reflects the experience of being captivated by a “digital drug”—a state of heightened perception where boundaries dissolve and identities overlap. Each movement invites the audience to confront the delicate balance between control and surrender, between the intimate self and the algorithmic other.

Ultimately, the soundtrack acts as a contemplative exploration of the symbiosis between humanity and technology, amplifying the trilogy’s central themes: the power of thought, the transformation of perception, and the fragile threshold that separates reality from simulation. Hi-J(o.b.s) resonates as an audio-visionary journey—both prophetic and deeply human—where sound becomes the final bridge between mind and machine.